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A massive central compartment as high and wide as the hull of the Rocinante housed twelve huge torpedo tubes cylinders for capital-ship busters encrusted with narrow catwalks and scaffolds.
Later, the crew of the Anubis space one of the Scopuli's crew out an airlock when he tried to escape and take over the Anubis ; Julie Mao was then confined to a storage locker.
After several days confined in the storage locker, Julie was able to break herself out and begin searching the Anubis.
She discovers the engine room and the protomolecule surrounding the reactor core with dismembered crew members attached to the alien growth and being consumed.
Then the dead person's heart was weighed on a pair of scales, against the goddess Maat , who embodied truth and justice.
Maat was often represented by an ostrich feather, the hieroglyphic sign for her name. If the scales balanced, this meant the deceased had led a good life.
Anubis would take them to Osiris and they would find their place in the afterlife, becoming maa-kheru , meaning "vindicated" or "true of voice".
This scene is remarkable not only for its vividness but as one of the few parts of the Book of the Dead with any explicit moral content.
The judgment of the dead and the Negative Confession were a representation of the conventional moral code which governed Egyptian society.
For every "I have not John Taylor points out the wording of Spells 30B and suggests a pragmatic approach to morality; by preventing the heart from contradicting him with any inconvenient truths, it seems that the deceased could enter the afterlife even if their life had not been entirely pure.
A Book of the Dead papyrus was produced to order by scribes. They were commissioned by people in preparation for their own funerals, or by the relatives of someone recently deceased.
They were expensive items; one source gives the price of a Book of the Dead scroll as one deben of silver,  perhaps half the annual pay of a labourer.
In one case, a Book of the Dead was written on second-hand papyrus. Most owners of the Book of the Dead were evidently part of the social elite; they were initially reserved for the royal family, but later papyri are found in the tombs of scribes, priests and officials.
Most owners were men, and generally the vignettes included the owner's wife as well. However, during the Third Intermediate Period, 2 were for women for every 1 for a man; and women owned roughly a third of the hieratic papyri from the Late and Ptolemaic Periods.
The scribes working on Book of the Dead papyri took more care over their work than those working on more mundane texts; care was taken to frame the text within margins, and to avoid writing on the joints between sheets.
The words peret em heru , or coming forth by day sometimes appear on the reverse of the outer margin, perhaps acting as a label.
Books were often prefabricated in funerary workshops, with spaces being left for the name of the deceased to be written in later.
The text of a New Kingdom Book of the Dead was typically written in cursive hieroglyphs , most often from left to right, but also sometimes from right to left.
The hieroglyphs were in columns, which were separated by black lines — a similar arrangement to that used when hieroglyphs were carved on tomb walls or monuments.
Illustrations were put in frames above, below, or between the columns of text. The largest illustrations took up a full page of papyrus. From the 21st Dynasty onward, more copies of the Book of the Dead are found in hieratic script.
The calligraphy is similar to that of other hieratic manuscripts of the New Kingdom; the text is written in horizontal lines across wide columns often the column size corresponds to the size of the papyrus sheets of which a scroll is made up.
Occasionally a hieratic Book of the Dead contains captions in hieroglyphic. The text of a Book of the Dead was written in both black and red ink, regardless of whether it was in hieroglyphic or hieratic script.
Most of the text was in black, with red ink used for the titles of spells, opening and closing sections of spells, the instructions to perform spells correctly in rituals, and also for the names of dangerous creatures such as the demon Apep.
The style and nature of the vignettes used to illustrate a Book of the Dead varies widely. Some contain lavish colour illustrations, even making use of gold leaf.
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This energy bound to complexity is what we call intelligence. Therefore, complex beliefs are less and less aware immediately of other beliefs as Self.
The formula of Magick is that energy must reach the sphere of a belief preconceptual to the belief desired.
This requires that complex beliefs become simple. Degrees of simplicity equals availability of energy and capacity to believe.
In fact, they are the same! To try to energize a belief without reaching the required simplicity is either totally unsuccessful or exhaustive of the belief that is trying to affect the change.
This exhaustion is a desired state as it frees the energy necessary to charge the new belief, but the new belief must be coded in terms not immediately intelligible or much or all of the energy will be re-focused to maintain the rational structure in which the desire is formulated, and will again tie up the energy desire.
Symbols are better than intelligent thought. Sigils are more potent yet for this purpose. Care should be taken in the means of exhaustion so that the complex is not permanently damaged but simply exhausted.
Sigils may be made in a variety of ways. Use your living imaginations. Would you like us to let you know if we are able to repair the game and when it is working again?
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